Gary Adcock explores what’s new in Adobe Prelude to help organize video footage when importing.
About the author
Contributor Gary Adcock specializes in creating and streamlining workflows for Episodic and Feature Production and Post-Production. Gary's extensive knowledge in Camera Technology, Image Acquisition and OnSet Data workflows is regarded by many as one of the most knowledgeable resources in the industry.
With emphasis on understanding camera and production technologies and how they relate to post production and delivery. Gary assisted in writing the Data Handling Procedures and Best Practices documentation for IATSE Local 600 (Cinematographers Guild) as part of an ongoing education initiative project.
Gary also regularly contributes to Macworld Magazine, as well as now being a regular contributor on Zacuto.com, he is also a moderator and blogger at CreativeCow.net
Gary’s client list includes: Adobe, Aja Video, Apple, Arri, Autodesk, Sony, Panasonic, and JVC. Media outlets like CNN, MSNBC, Discovery Networks, MTV, WGBH (Antiques Roadshow), FOX, National Geographic Inc. and the Nat Geo Networks worldwide. Commercial clients include such prestigious brands as McDonalds, Taco Bell, HBO, MLB, NASA, Citibank, NBA Entertainment and NFL Films.
Recent Production Work has included Transformers Dark Side of the Moon 2011 (3nd unit), Just Like a Women (2012) (data and dailies colorist), NBC's Playboy Club (camera tech), ABC's Detroit 187 (remote recording technologies).
Gary can be followed on Twitter @garyadcock or on his new Wordpress blog about Technology and the Chicago food scene at http://garyadcock.com